By John Springhall
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Extra resources for Youth, Popular Culture and Moral Panics: Penny Gaffs to Gangsta-Rap, 1830–1996
Sample text
After the demise of gaffs as all but a folk memory, they were sometimes bathed in a hazy, nostalgic glow which the following 1953 attempt to recall 'A Victorian Street Scene' in the East End on a Saturday night exemplifies: 36 Youth, Popular Culture and Moral Panics The Christmas revival of Maria Marten may recall to many people memories of the Victorian street entertainments, for this lurid old melodrama could once be seen at the cost of only one penny in the 'penny gaff of the Whitechapel Road, a hundred yards or so from the Pavilion Theatre.
I thought he was the worst of the lot; but just as I got hold of him, 67H, my brother officer, collared me . He thought I was one of the 'dramatis personae'. MR HAMILL: Well, the piece certainly turned out tragically. WITNESS: It was a melodrama, sir. There was comedy in it, for this gentleman was one Peter Pop, a beadle or policeman, who had a scene with this other lad y, his sweetheart, 'Sall y come up', in the kitchen. ' The defendants promised never to offend again and were allowed to depart, promising to keep the peace for the next 3 months, at least in relation to spoken drama.
In effect, as the social backgrounds of gaff playwrights and managers, as well as 'penny dreadful' authors, editors and publishers, might suggest, commercial entertainment for working-class juveniles operated within primarily middle-class ideological constraints. The consensual values recommended by the authors of cheap plays and serialized fiction, if not consistently practised by their less savoury characters, were nearly always those of orthodox Victorian morality, as reinterpreted through the conventions of melodrama.