Download The Baseball Film in Postwar America: A Critical Study, by Ron Briley PDF

By Ron Briley

This paintings specializes in the baseball motion picture style within the years following global conflict II, starting with the 1948 biopic The Babe Ruth tale and finishing with the 1962 Mickey Mantle-Roger Maris automobile secure at Home!, while the consensus was once that clash can be constrained in American society by means of emphasizing financial progress and a powerful stand opposed to Communism.

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Extra info for The Baseball Film in Postwar America: A Critical Study, 1948-1962

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According to Ruth biographer Robert Creamer, George Ruth spent seven of the ten years between 1904 and 1914 at St. Mary’s, where he resided until age 21. Regarding the relationship between Ruth and Matthias, Creamer writes that Ruth “revered” the religious leader; it was a remarkable, almost parental, bond “considering that Matthias was in charge of making boys behave and that Ruth was one of the great natural misbehavers of all time. ”14 The film picks up the relationship on Christmas Day 1913 as Ruth breaks a school window while working on his curve ball.

B. “Happy” Chandler to suspend the volatile manager for the 1947 season. Durocher was replaced in the script and at first base by Broadway performer Jules Munshin. In his original treatment Kelly asserted, “I’ve worked out an Irish jig that Sinatra and Durocher will be able to dance and which will carry on the myth of Frankie’s terpsichorean ability (and believe me, this will top any of our joint numbers in Anchors Aweigh). ”8 The seven-page outline was purchased by MGM producer Arthur Freed for $25,000 and assigned to director Busby Berkeley.

Ruth was expected to serve as a consultant for the production, but his declining health allowed only one visit to Hollywood in the spring of 1948 when filming was virtually complete. Reportedly, Ruth met with William Bendix and attempted to provide the actor with some hitting tips. Evidently, Ruth failed to exert much influence for Bendix’s efforts to impersonate a baseball player were almost uniformly derided by critics. ) Director Roy Del Ruth (no relation to the Babe) was a veteran filmmaker, who got his start in the silent comedies of Mack Sennett before directing such successful MGM musicals as Broadway Rhythm (1944) and It Happened on Fifth Avenue (1947).

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