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Both buildings are simultaneously functional museum spaces, and artworks of great affective power. Today the corporate sculpture of the 1960s, much of it by Noguchi, rarely warrants a second glance, so imitated has it been by lesser sculptors, in lesser plazas. “Plop art” was the dismissive term coined by architect James Wines in 1969 for large, geometric, abstract sculptures in corporate settings, suggesting that their commissioning and placement were too easy.
Publisher: Rockport Pub (April 1999)
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