Download Self-Made Man: One Woman's Journey into Manhood and Back by Norah Vincent PDF

By Norah Vincent

Following within the culture of John Howard Griffin (Black Like Me) and Barbara Ehrenreich (Nickel and Dimed), Norah Vincent absorbed a cultural adventure and stated again on what she saw incognito. For greater than a 12 months and a part she ventured into the area as Ned, with an ever-present 5 o'clock shadow, a workforce lower, wire-rim glasses, and her personal dimension 111/2 shoes-a ideal cover that enabled her to watch the realm of guys as an insider. the result's a sympathetic, intelligent, and exciting journey de strength of immersion journalism that is destined to problem preconceptions and allure huge, immense recognition. together with her pals at the bowling league she loved the tough and worthwhile include of male camaraderie undetectable to an intruder. A stint in a high-octane revenues task taught her the intestine- wrenching pressures continued by means of males who may do something to be triumphant. She frequented intercourse golf equipment, dated ladies hungry for romance yet sour approximately males, and infiltrated all- male groups as hermetically sealed as a men's treatment workforce, or even a monastery. Narrated in her totally eye-catching prose sort and with beautiful perception, humor, empathy, nuance, and at nice own rate, Norah makes use of her intimate firsthand event to discover the various striking mysteries of gender identification in addition to who males are except and relating to ladies. faraway from turning into sour or outraged, Vincent ended her trip astounded-and exhausted-by the inflexible codes and rituals of masculinity. Having long gone the place no lady (who wasn't an aspiring or genuine transsexual) has long gone for any major size of time, not to mention eighteen months, Norah Vincent's marvelous account is a captivating interpreting event and a revelatory piece of anecdotally dependent gender research that's guaranteed to spark fierce and engaging dialog. compliment for Norah Vincent: "Norah Vincent is a real freethinker and self reliant journalist within the eu demeanour, hard triumphing assumptions in academe, politics, and media. Her paintings has continually had a daring skepticism and effort. She is a version of pragmatic, enlightened feminism." -Camille Paglia

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Additional info for Self-Made Man: One Woman's Journey into Manhood and Back

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The struggle is often between the historicist teleological or mythical time and narrative of traditionalism - of the right or the left - and the shifting, strategically displaced time of the articulation of a historical politics of negotiation which I suggested above. The time of liberation is, as Fanon powerfully evokes, a time of cultural uncertainty, and, most crucially, of significatory or representational undecidability: W58 But [native intellectuals] forget that the forms of thought and what [they] feed .

Then, to commemorate the first anniversary of the strike, Beatrix Campbell, in the Guardian, interviewed a group of women w h o had been involved in the strike. It was clear that their experience of the historical struggle, their understanding of the historic choice to be made, was startlingly different and more complex. Their testimonies would not be contained simply or singly within the priorities of the politics of class or the histories of industrial struggle. Many of the women began to question their roles within the family and the community - the t w o central institutions which articulated the meanings and mores of the tradition of the labouring classes around which ideological battle was enjoined.

Any more than the white man/ The awkward division that breaks his line of thought keeps alive the dramatic and enigmatic sense of change. That familiar alignment of colonial subjects - Black/ White, Self/Other - is disturbed with one brief pause and the traditional grounds of racial identity are dispersed, whenever they are found to rest in the narcissistic myths of negritude or white cultural supremacy. It is this palpable pressure of division and displacement that pushes Fanon's writing to the edge of things - the cutting edge that reveals no ultimate radiance but, in his words, 'exposed an utterly naked declivity where an authentic upheaval can be born'.

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