Download Practice-Led Research, Research-Led Practice in the Creative by Hazel Smith, Roger Dean PDF

By Hazel Smith, Roger Dean

This booklet considers the most interesting and cutting edge advancements inside of greater schooling: the increase of the artistic arts and the becoming attractiveness that inventive perform is a sound box of study. the amount exhibits that artistic perform can result in study insights via what's often called practice-led examine, but in contrast to different books on practice-led study, the textual content contains a dialogue at the confident influence of research-led perform. Essays disguise a variety of disciplines, together with artistic writing, dance, tune, theater, movie, and new media, and members are from the U.K., the united states, Canada, and Australia. They procedure the topic from a variety of angles, discussing methodologies of practice-led examine and research-led perform, their very own inventive paintings as a kind of study, study education for inventive practitioners, and the politics and historical past of practice-led examine and research-led perform in the college. This ebook could be beneficial for inventive practitioners, researchers, scholars within the artistic arts, and teachers.

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Extra info for Practice-Led Research, Research-Led Practice in the Creative Arts (Research Methods for the Arts and Humanities)

Sample text

Nevertheless, there may be certain aspects of the work that practitioners do not want to talk about, such as possible interpretations of it, and the role of the practitioner in these respects remains distinct from that of the critic. The output points illustrated on our model must necessarily also be the points at which creative and research work is evaluated by others. In higher education such evaluation is necessary to demonstrate to governments that public subsidy is being usefully and valuably spent.

Her chapter includes a broad discussion of the relationship between research and practice: as she says methodologies are practices and we need to be careful to see these activities as intertwined rather than opposed. Her fictocritical approach embodies the ‘doubling’ or ‘mirroring’ by which we can construe practice-led research and research-led practice as complementary and yet part of a single iterative cycle. Part 2 presents four briefer ‘case histories’. As well as distinguishing usefully introduction 31 between different forms of research – general and academic, experimental and conceptual – Andrew Brown and Andrew Sorensen write lucidly of the fluidity of digital media and the capability of ‘the computer as an idea amplifier’.

T. Dean (2001), ‘The egg, the cart, the horse, the chicken’, infLect: A Journal of Multimedia Writing. html. Smith, H. and R. T. Dean (2003), ‘Voicescapes and sonic structures in the creation of sound technodrama’, Performance Research, 8 (1), 112–23. Throsby, D. (2006), ‘An artistic production function: theory and an application to Australian visual artists’, Journal of Cultural Economics, 30, 1–14. , C. Stevens and R. T. Dean (2008), ‘Psychoacoustic manipulation of the sound-induced illusory flash’, Lecture Notes in Computer Science, 4969, 1–15.

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