By John Butler
This new sequence addresses paintings within the city atmosphere. As towns progressively lose the cultural connections with their commercial earlier, many search to construct new, post-industrial futures via city regeneration. paintings tasks often play a key function in cultural guidelines that objective to re-establish use of redundant constructions and regenerate overlooked neighbourhoods. this is often a world assortment drawing jointly contributions from more than a few practices and educational disciplines round the topics of regeneration, locality and sustainability.
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Additional info for Locality, Regeneration and Divers c ities (Advances in Art and Urban Futures (Vol. 1))
A reference for the image of the city of fragments is the work of Aldo Rossi, in particular two buildings, one in Tokyo, the other in Paris (Attali, 2000). The Tokyo building, a hotel, was referred to by Rem Koolhaas as an example of the operative power of difference. Only Rossi, an Italian, could design such a building, and it is only the Japanese who could build it. The second example, an appartment block in Paris at La Villette has two notable characteristics: it is located at the back of a block, and sports a large cornice.
Forest Floor both embodies Freudian notions of the ‘uncanny’ and is an evocation of the surfacing of the Kleinian death drive. In the return of its repressed ‘nature’ it is neither living nor dead, neither absent nor present but stages a duplicitous presence. It utilises both similarity and difference; resemblance (to nature) disguises the animate from the inanimate but in its approximation of the familiar and the unfamiliar it masks death by the substitute of the organic with the inorganic. Whilst housework (evoked by the carpet) is a defence against dirt, Forest Floor inevitably returns to chaos.
Ian Hodder, the Post-Processual Archaeologist, once did some work with the Nuba people. The Nuba believed that women were associated with the territory inside the compound and men with the land outside. Women were believed to be ‘polluting’ as were the materials associated with them such as the ashes from the hearth. Women, then, were expected to empty the ashes inside the women’s area and not to pollute the outside, the men’s area. However, Hodder observed a woman deliberately, and publicly, dumping her ash well outside the compound in the male domain.