Download John Wayne : The Man Behind the Myth by Michael Munn PDF

By Michael Munn

From Publishers Weekly in keeping with this congenial biography via movie journalist Munn, motion picture legend Wayne (1907–1979) was once a troublesome employee who held tight to his ideals and what he proposal he may still exhibit on reveal. Wayne's occupation did have its proportion of controversy (although he starred in cutthroat struggle motion pictures, Wayne did not subscribe to army carrier in WWII; he rejected communism, which made him the thing of Stalinist threats; and the actor's given identify remains to be debated), and Munn deftly addresses these hullabaloos whereas delivering an outline of the actor's accomplishments. After taking part in soccer at USC, Wayne labored as a studio prop guy, entering early touch with director John Ford, who might direct Wayne in a few of his such a lot memorable performances, together with 1952's The Quiet guy. all through their organization, Ford handled Wayne inconsistently, disparaging his skills and lashing out at him for accepting a lead function from rival director Raoul Walsh (The huge path, 1930). but Ford and Wayne collaborated on 1939's Stagecoach, which gave delivery to the intense western and the Ford-Wayne motion picture subgenre. different highlights contain Wayne's emergence as a heavy in 1948's crimson River and his ferocious functionality in 1956's The Searchers. Munn portrays the actor in his own existence as a man's guy, who sustained friendships with difficult cohorts like stuntman Yakima Canutt yet failed in romance. even supposing the ebook takes a strange flip towards the tip, whilst Munn hyperlinks Wayne's patriotism and heroic character to the heroic activities after September eleven, total, it is a nice tribute. Copyright © Reed company details, a department of Reed Elsevier Inc. All rights reserved. evaluate "A high-quality tribute." -- *Publishers Weekly* (*Publisher's Weekly* )

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He listened attentively with his arms crossed, and said, “You’re right. But we’ve got to show the American audience London landmarks they recognize, or they won’t believe it’s London. ” No matter what I said, he never put me down. Occasionally he said, “That’s a damn good idea, kid. ” I’ve no idea if any suggestions I made were actually used. But he somehow managed to make me feel important. How could I not feel affection for him? Curiously, the idea to write this book partly came from Wayne back in 1974.

All of them got it wrong, and it isn’t surprising. Much of Wayne’s life and work is shrouded in myth and legend, even to those who knew him best. The confusion is understandable. John Wayne told me, “My parents named me after my grandfather, Marion Mitchell Morrison. Only my middle name wasn’t Mitchell. It was Robert. qxd 12/18/03 1:42 PM Page 8 8 JOHN WAYNE name on my birth certificate. ” The legend is further complicated by the fact that in the 1925 Glendale High Yearbook, Wayne’s picture, for reasons Wayne could never remember, bears the name Marion Mitchell Morrison, which has caused some film historians and biographers to mistakenly state his original name as being Marion Mitchell.

There was also the practical problem of filming with sound. The cameras were big and noisy and had to be enclosed in a box to prevent the noise being picked up by the microphones. The studios had converted all their stages to ‘soundstages’ where the heavy cameras could not be easily moved. Silent cameras were easy to move and pioneers of the cinema had developed techniques such as ‘tracking shots’ [whereby the camera moved along with the action]. “But I believed Westerns could be made with sound.

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