By Edna Nahshon
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Title: Jews and Theater in an Intercultural Context
Author: Nahshon, Edna (EDT)
Publisher: Brill educational Pub
Publication Date: 2012/04/01
Number of Pages: 388
Binding sort: HARDCOVER
Library of Congress: 2011052360
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Extra resources for Jews and Theater in an Intercultural Context
In a dialogue between the two—an invented scene which does not exist in the New Testament—Barabbas reflects on the ideal of rebellion for the sake of the masses and the innocent. . ”19 Barabbas responds that his anger prevents him from seeing the truth. Blindness is also evoked when Judas tries to convince Jesus to show 16 Helen Rosenau, “Ecclesia et Synagoga” in Encyclopaedia Judaica, Eds. Berenbaum, Michael and Fred Skolnik. 2nd ed. Vol. 6 (Detroit: Macmillan Reference USA, 2007) 88. Gale Virtual Reference Library.
The fragments of his Exagoge represent the most extensive remains of any Hellenistic tragedy—or indeed tragedian. ] Further, for the student of Jewish literary history and thought Ezekiel is one of our most important sources for the Hellenistic period in the diaspora and may even be of importance for students of the New Testament and early Christianity. 1 Ezekiel (Ezechielus), a Jewish tragedian, who lived in Alexandria probably during the second century BCE, was the author of the first known Jewish playtext.
Brighton: Sussex Academc Press, 1999, 149–158. Gilman, Sander L. pdf. Gutman, Yehoshua. The Beginnings of Jewish-Hellenistic Literature [Hebrew]. Jerusalem: Bialik Institute, 1969. Jacobson, Howard. The Exagoge of Ezekiel. Cambridge: Cambridge University Press, 1983. Lanfranchi, Pierluigi. L’Exagoge d’Ezéchiel le Tragique: introduction, texte, traduction et commentaire. Leiden: Brill, 2006. Mandes-Flohr, Paul and Reinharz, Jehuda, eds. The Jew in the Modern World: A Documentary History. New York: Oxford University Press, 1980.