By Brigid B. Haines, Lyn L. Marven
This quantity is a severe better half to the works of Herta Müller, winner of the Nobel Prize in Literature in 2009. Müller (1953-) is a Romanian-German novelist, essayist and manufacturer of collages whose paintings has been in comparison with that of W.G. Sebald and Franz Kafka. The Nobel Committee defined her as a author 'who, with the focus of poetry and the frankness of prose, depicts the panorama of the dispossessed'. In works comparable to Niederungen (Nadirs), Herztier (The Land of eco-friendly Plums), Reisende auf einem Bein (Traveling on One Leg), and Atemschaukel (The starvation Angel), all written in German yet translated all over the world, Müller addresses important modern matters resembling dictatorship, migration, reminiscence, and the continued legacy of fascist and communist rule in Europe. Her works are written in a wealthy, poetic language which imbues them with nice energy and intensity. They exceed nationwide obstacles and feature common attraction; they converse to a world viewers attuned to political oppression and its lasting effects.
This quantity, containing contributions by means of a world workforce of students, introduces the paintings of 1 of Europe's most advantageous modern writers to a global viewers. person chapters care for Müller's significant works and her volumes of collages. different chapters discover her poetics and the Romanian heritage in addition to subject matters, resembling gender and existence writing, working all through her paintings, and her around the world reception throughout the media and the medium of translation.
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This quantity is a serious spouse to the works of Herta Müller, winner of the Nobel Prize in Literature in 2009. Müller (1953-) is a Romanian-German novelist, essayist and manufacturer of collages whose paintings has been in comparison with that of W. G. Sebald and Franz Kafka. The Nobel Committee defined her as a author 'who, with the focus of poetry and the frankness of prose, depicts the panorama of the dispossessed'.
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Extra info for Herta Müller
12 The Banat was also important as a military frontier facing Ottoman territory—the south of the province had a special military status until the 1850s—and as a source of economic extraction, being rich in metals and minerals. 13 It should 11 For recent overviews in English, see Evans (2006: 209–27) and Koranyi (2008: 12–21). 12 See Jordan (1967); Roider (1981); Thomas, (1983–4); and Evans (2006: 3–14). g. Ames, Klotz and Wildenthal (2005) and Perraudin and Zimmerer (2011). See nevertheless Ruthner, (2002) and L.
Man könnte sagen: Die Person, die schreibt, ist eine erfundene Person. 22 Her concept of authorship here permits no straightforward distinction between a real author and an implied author, or indeed a fictional author, for the real writing person merges into the imaginary process that generates the written text and potentially the imaginary world of the characters. The politically committed master narratives favoured by cultural policy in the Eastern-bloc countries during the post-war era serve Müller as a model to be avoided.
32 The cognitive processes involved in writing are explored through metaphors that work intuitively, without the constraints of logic and linearity: ‘Das Schreiben, die Verästelung der Gedanken von einem Satz zum anderen, kennt, da es nicht an der Oberfläche geschieht, keine Wege. 33 The sheer variety of semantic fields Müller draws on here indicates that she is not seeking a stable definition but rather experimenting with different ways of conceptualizing the process of writing. 34 Processes of repetition structure our cognitive work with the past, they are central to our identity, and they shape our writing.