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For years after university, Max Gross used to be a schlubby ne'er-do-well wearing an unwieldy Jewfro. He fought off double-chins and man-boobs. His form of gown was once akin to a stoned city slacker. younger Max Gross really used to be hapless in an important urban. He used to be doubtless with no success or desire. He had bedbugs, a nasty break-up, and an audit through the IRS that threatened to damage his soul.
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Additional info for Crafting Creativity & Creating Craft
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New York, NY: Guilford Press. , & Davis, J. (1997). The art and science of portraiture. New York, NY: JosseyBass. McCullough, M. (1998). Abstracting craft: The practiced digital hand. Cambridge, MA: MIT Press. Petersen, H. (2007). Celtic knot block prints. Arts & Activities, 142(3). 34–35. Rissati, H. (2007). A theory of craft: Function and aesthetic expression. Chapel Hill, NC: University of North Carolina Press. Schwabe, C. W. (1984). Knot tying, bridge building, chance taking—The art of discovery.