By Cory Doctorow
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Extra resources for Context
For example, if you’re writing a length novel, My Own Kind of Freedom, inspired by the critical review of a book, copyright allows you to television show Firefly. Brust didn’t—and probably include quotations from the book for the purpose of can’t—receive any money for this work, but he wrote it criticism. ” critics are allowed to make their points with quotes from the original work is obvious bad policy. It’s a Brust circulated his book for free and was lucky thick-skinned author indeed who’d arm his most enough that Joss Whedon, Firefly’s creator, didn’t see devastating critics with the whips they need to score fit to bring legal action against him.
After several thousand dollars worth of pitching and drafting and arguing, I’d get my license and could go Enter Creative Commons... back to my factory and start cranking out my own special brand of cute and hygienic devices. Presuming, of course, that Disney was willing to grant me the Creative Commons license at all. This approach works reasonably well for certain kinds of products and services. While I’m sure Bayer would prefer not to keep a couple of lawyers on hand to negotiate with Hanna-Barbera every time it wants to change the packaging on Flintstones Vitamins, it’s not a great hardship to have them on staff.
Made in Firefly. The fact that Brust wrote his book DOCTOROW/CONTEXT/34 because he loved Whedon’s work would have been a mark against him in court. This isn’t a plea for unlimited licence to commercially exploit the creations of others. It’s fitting that commercial interests who plan on making new works from yours seek your permission under the appropriate circumstances. Nor is this a plea to eliminate the vital aid to free expression that we find in copyright exceptions that protect criticism.