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By Ibsen, Henrik; Ibsen, Henrik; Shawn, Wallace

"Internationally well known actor-playwright adapts Henrik Ibsen's grasp Builder. Shawn's performs are every thing you dream of theatre being-really shrewdpermanent, stimulating, unsettling, hilarious, and fair. the standard of his writing locations Shawn within the corporation of heavyweight playwright-thinkers like Tony Kushner and Caryl Churchill." -Don Shewey. identified for his hard and provocative prose, Wallace Shawn, operating with Read more...

summary: "Internationally popular actor-playwright adapts Henrik Ibsen's grasp Builder. Shawn's performs are every little thing you dream of theatre being-really clever, stimulating, unsettling, hilarious, and fair. the standard of his writing areas Shawn within the corporation of heavyweight playwright-thinkers like Tony Kushner and Caryl Churchill." -Don Shewey. identified for his tough and provocative prose, Wallace Shawn, operating with long-time collaborator André Gregory, has spent approximately fifteen years adapting one in every of Ibsen's maximum works. a movie variation, directed via Jonathan Demme, is determined for spring 2013. Wallace Shawn is the writer of OBIE Award-winning performs Our overdue evening, Aunt Dan and Lemon, and The Fever. different works contain Marie and Bruce, The detailed Mourner, and the screenplay for My Dinner with Andre, during which he additionally starred"

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Kaya! KAYA: Yes? SOLNESS: Come over here! — SOLNESS: Come over here. KAYA (She comes closer): Tell me—what you want . . SOLNESS (Looks at her for a while): Are you the one I should thank for this—situation? — Please—you mustn’t— SOLNESS: I mean, you’re terribly eager to be married, it seems. KAYA (Softly): Well, Ragnar and I have been engaged for four or five years . . SOLNESS: Yes? KAYA: Well, he and his father keep talking about it, and eventually I suppose I’ll have to give in. SOLNESS: And of course you have a certain affection for Ragnar .

Aren’t you a terribly fortunate man? It seems to me that you’ve experienced good fortune to an almost unbelievable extent, frankly. ) SOLNESS: Yes—I know that. Damn—what’s that music? DR. HERDAL: What music? SOLNESS: Who’s playing that? DR. HERDAL: I don’t hear anything. ) Solness? (Dr. ) What’s going on? (Dr. ) Ingrid? ) There’s a blue bottle with a red label in my bag—I think it’s in the spare room next to the dining room. Please hurry. ) Solness? (The music stops. ) Are you all right? ) SOLNESS: Am I all right?

HERDAL: Yes . . SOLNESS: Well, at a certain point, a few years after that, Ragnar suddenly came up with the idea of getting married and leaving my office to set up an office of his own. But I needed Ragnar to stay with me, because he happens to be extremely clever about calculating, you know, the volume of things and the carrying capacity of this and that and all that sort of tedious detail. DR. HERDAL: Well, that’s an important element of your business—yes— SOLNESS: But you see, listen to what I’m trying to tell you.

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